Gretchen Jude.
  • me.
    • bio.
    • vitae. >
      • teaching.
    • portfolio.
  • news.
  • music.
    • soundscapes. >
      • => The Hights (2021).
      • => in 'Future Cities Project' (2020).
      • => 'Yoshiwara Soundwalk' (2016).
      • => 'Summer in Snow Country' (2014).
      • => 'Finding as Making // Singing No Songs' (2014).
      • => Triptych (2013).
    • electrovocal. >
      • => 'Mirror Morrow' (2020).
      • => w/ Akaihirume (2019).
      • => w/ Rich Rath (2018).
      • => 'touching barad' (2015).
      • => 'Passager' diptych at RE:Sound (2015).
    • free improvisation. >
      • => at Permian in Tokyo (2019).
      • => at Ftarri in Tokyo (2017).
      • => at Bar Ishee in Tokyo (2017).
      • => at Yugue in Kyoto (2016).
      • => at Doors That Only Open in Silence, Oakland (2015).
      • => solo at Garden of Memory, Oakland (2014).
    • for dance. >
      • => Nina Haft's 'Precarious Pod' (2019).
      • => Peiling Kao's 'Integral Bodies' (2019).
      • Christy Funsch's 'MSDM' (2018). >
        • => audio.
        • => video.
      • => Nina Haft's 'King Tide' (2015).
      • => 'Des-Echoes' (2015).
      • => 'Fox Mirror Forest' (2015).
      • => 'Skywatchers' (2012).
    • for film. >
      • Midnight Traveler (2019). >
        • => on sound-making in Hassan Fazili's Midnight Traveler (2019).
      • => Karen Day's Bamboo and Barbed Wire (2019).
      • => Em Mahdavian's Intangible Body (2016).
  • albums.
    • => 'On Cypress Ridge' (2021).
    • => 'music for going nowhere' (2020).
    • => 'hirakito' (2019). >
      • => more w/ Kevin Corcoran.
    • => glou glou 'fey flight founders' (2016).
    • => glou glou 'hymn her hum' (2014). >
      • => more w/ Arjun Mendiratta.
    • => Gestaltish 'Chaos Theories' (2014). >
      • => more w/ Gestaltish.
    • => Eat The Sun 'The Djerassi Sessions' (2013). >
      • => March 2018.
      • => November 2015.
      • => April 2014.
      • => March 2014.
      • => October 2013.
      • => July 2013.
    • => 'songspaces' (2013).
  • objects.
    • visual scores. >
      • Song Cycle for Symbionts (2020).
      • postcard musics. >
        • Canessa Gallery (2015).
      • Paris Blancheur (2011).
      • => Tree_Score (2010).
    • instructional scores. >
      • For Voices in Distant Landscapes (2021).
      • 10'15"x (2017).
      • I Clean the Stage (2009). >
        • => video.
      • News Piece (2006).
    • sound art & poetry. >
      • => in Orion Magazine (2019).
      • As Distinct From Humming (2007).
      • Stein Phase (2006–2009).
    • artist books. >
      • => Sonic Meditation for Immersive Ecological Entanglement (2018).
      • 「古」
      • "Paris Arthaud" & "ou ou".
      • "an e and a me".
      • "Michel Foucault's 'Minor Perverts...'"
    • instruments. >
      • => photo-koto at NIME13, Seoul (2013).
      • => photo-koto on Maddow (2010).
  • others.
    • => electroViolet (2016–2021). >
      • => body electric 5.2 (Island Circuit 2021).
      • => body electric 3.1 (Oahu Fringe 2019).
      • => body electric 2.0 (Honolulu 2018).
      • => body electric 1.3 (Berlin 2017).
    • => JūDai (2019–2020). >
      • => live & distant on People, Places, Things (2020).
    • => Candy Acid (2010–2015). >
      • => on SoundCloud.
      • => on Susu Ultrarock Records.
    • w/ Ted Apel & breccia (2006– ) >
      • => Black Friday 2015.

An immersive performance about animals and extinction.

10/16/2019

2 Comments

 
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Nina Haft & Company's PRECARIOUS POD is an immersive performance for small, intimate audiences about animals and extinction. Exploring the lives of species that have adapted with varied success to human impact, we invite audiences to move about freely to observe and explore how human and animal instincts collide. What can we learn from animals about a balanced relationship to our natural world?  I hope my composed soundscapes will help answer.

Shows in November at Joe Goode Annex in San Francisco. Click for link to tickets!

2 Comments
essayhave review link
2/23/2020 21:53:31

Animals like monkeys are the source of happiness and entertainment for us in life. These animals are also very friendly such as they play with us and also come in our rooms as well if they are in our home.

Reply
Gretchen Jude
1/31/2021 00:02:42

The deeper you go the higher you fly. The higher you fly the deeper you go. It's such a joy, let's take it easy!

Reply



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