Gretchen Jude.
  • new.
  • info.
    • bio.
    • vitae. >
      • teaching.
    • portfolio.
  • music.
    • free improv. >
      • => at Permian in Tokyo (2019).
      • => at Ftarri in Tokyo (2017).
      • => at Bar Ishee in Tokyo (2017).
      • => at Yugue in Kyoto (2016).
      • => at Doors That Only Open in Silence, Oakland (2015).
      • => solo at Garden of Memory, Oakland (2014).
      • => w/ Gestaltish in Oakland (2013).
    • solo soundscapes. >
      • => 'Music for Going Nowhere' (2020).
      • => The Hights (2016~2020).
      • => Yoshiwara Soundwalk (2016).
      • => Summer in Snow Country (2014).
      • => Finding as Making // Singing No Songs (2014).
      • => Triptych (2013).
      • => 'Songspaces' (2013).
    • electrovocal. >
      • => 'Mirror Morrow' (2020).
      • => w/ Akaihirume (2019).
      • => w/ Rich Rath (2018).
      • => 'touching barad' (2015).
      • => 'Passager' at RE:Sound (2015).
      • => solo at Berkeley Arts (2014).
      • => Gestaltish at the Luggage Store (2014).
    • for dance. >
      • => Nina Haft's Precarious Pod (2019).
      • => Peiling Kao's Integral Bodies (2019).
      • Christy Funsch's MSDM (2018). >
        • => audio.
        • => video.
      • => Nina Haft's King Tide (2015).
      • => Des-Echoes (2015).
      • => Fox Mirror Forest (2015).
      • => Skywatchers (2012).
    • for film. >
      • Midnight Traveler (2019). >
        • => on sound-making in Hassan Fazili's Midnight Traveler (2019).
      • => Karen Day's Bamboo and Barbed Wire (2019).
      • => Em Mahdavian's Intangible Body (2016).
  • objects.
    • sound art. >
      • => in Orion Magazine (2019).
      • => in Out of Stock (2017).
    • artist books. >
      • => Sonic Meditation for Immersive Ecological Entanglement (2018).
      • 「古」
      • "Paris Arthaud" & "ou ou".
      • "an e and a me".
      • "Michel Foucault's 'Minor Perverts...'"
    • handbuilt instruments. >
      • => photo-koto at NIME13, Seoul (2013).
      • => photo-koto on Maddow (2010).
    • instructional scores. >
      • For Voices in Distant Landscapes (2021).
      • 10'15"x (2017).
      • I Clean the Stage (2009). >
        • => video.
      • News Piece (2006).
    • visual scores. >
      • Song Cycle for Symbionts (2020).
      • postcard musics. >
        • Canessa Gallery (2015).
      • Paris Blancheur (2011).
      • => Tree_Score (2010).
  • albums.
    • => 'Music for Going Nowhere' (2020).
    • => 'hirakito' (2019). >
      • => w/ Kevin Corcoran.
    • => glou glou. >
      • => w/ Arjun Mendiratta.
      • => 'hymn her hum' (2014).
      • => 'fey flight founders' (2016).
    • => Eat The Sun: 'The Djerassi Sessions' (2013). >
      • => July 2013.
      • => October 2013.
      • => March 2014.
      • => April 2014.
      • => November 2015.
      • => March 2018.
    • => 'Songspaces' (2013).
  • others.
    • => JūDai (2019–2020). >
      • => live & distant on People, Places, Things (2020).
    • => electroViolet (2016–2019). >
      • => body electric 1.3 (Berlin 2017).
      • => body electric 2.0 (Honolulu 2018).
      • => body electric 3.1 (Oahu Fringe 2019).
    • => Candy Acid (2010–2015). >
      • => on SoundCloud.
      • => on Susu Ultrarock Records.
    • => w/ Ted Apel (2006– ). >
      • => Black Friday 2015.

in "Ethics, Performativity and Gender"

4/7/2016

0 Comments

 
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Interesting feeling, having my work examined by a brillliant scholar!  My mentor Lynette Hunter wrote this amazing article, "Ethics, performativity and gender: porous and expansive concepts of selving in the performance work of Gretchen Jude and of Nicole Peisl" and I'm still digesting her observations.  What criticism should be...
(click on the photo for a link)
 

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