Gretchen Jude.
  • new.
  • info.
    • bio.
    • vitae. >
      • teaching.
    • portfolio.
  • music.
    • soundscapes. >
      • => 'The Hights' (2021).
      • => in 'Future Cities Project' (2020).
      • => 'Yoshiwara Soundwalk' (2016).
      • => 'Summer in Snow Country' (2014).
      • => 'Finding as Making // Singing No Songs' (2014).
      • => Triptych (2013).
    • electrovocal. >
      • => 'Mirror Morrow' (2020).
      • => w/ Akaihirume (2019).
      • => w/ Rich Rath (2018).
      • => 'touching barad' (2015).
      • => 'Passager' diptych at RE:Sound (2015).
    • free improvisation. >
      • => at Permian in Tokyo (2019).
      • => at Ftarri in Tokyo (2017).
      • => at Bar Ishee in Tokyo (2017).
      • => at Yugue in Kyoto (2016).
      • => at Doors That Only Open in Silence, Oakland (2015).
      • => solo at Garden of Memory, Oakland (2014).
    • for dance. >
      • => Nina Haft's 'Precarious Pod' (2019).
      • => Peiling Kao's 'Integral Bodies' (2019).
      • Christy Funsch's 'MSDM' (2018). >
        • => audio.
        • => video.
      • => Nina Haft's 'King Tide' (2015).
      • => 'Des-Echoes' (2015).
      • => 'Fox Mirror Forest' (2015).
      • => 'Skywatchers' (2012).
    • for film. >
      • Midnight Traveler (2019). >
        • => on sound-making in Hassan Fazili's Midnight Traveler (2019).
      • => Karen Day's Bamboo and Barbed Wire (2019).
      • => Em Mahdavian's Intangible Body (2016).
  • albums.
    • => 'music for going nowhere' (2020).
    • => 'hirakito' (2019). >
      • => more w/ Kevin Corcoran.
    • => glou glou: 'fey flight founders' (2016).
    • => glou glou: 'hymn her hum' (2014). >
      • => more w/ Arjun Mendiratta.
    • => Gestaltish: 'Chaos Theories' (2014). >
      • => more w/ Gestaltish.
    • => Eat The Sun: 'The Djerassi Sessions' (2013). >
      • => March 2018.
      • => November 2015.
      • => April 2014.
      • => March 2014.
      • => October 2013.
      • => July 2013.
    • => 'songspaces' (2013).
  • objects.
    • visual scores. >
      • Song Cycle for Symbionts (2020).
      • postcard musics. >
        • Canessa Gallery (2015).
      • Paris Blancheur (2011).
      • => Tree_Score (2010).
    • instructional scores. >
      • For Voices in Distant Landscapes (2021).
      • 10'15"x (2017).
      • I Clean the Stage (2009). >
        • => video.
      • News Piece (2006).
    • sound art & poetry. >
      • => in Orion Magazine (2019).
      • As Distinct From Humming (2007).
      • Stein Phase (2006–2009).
    • artist books. >
      • => Sonic Meditation for Immersive Ecological Entanglement (2018).
      • 「古」
      • "Paris Arthaud" & "ou ou".
      • "an e and a me".
      • "Michel Foucault's 'Minor Perverts...'"
    • instruments. >
      • => photo-koto at NIME13, Seoul (2013).
      • => photo-koto on Maddow (2010).
  • others.
    • => JūDai (2019–2020). >
      • => live & distant on People, Places, Things (2020).
    • => electroViolet (2016–). >
      • => body electric 1.3 (Berlin 2017).
      • => body electric 2.0 (Honolulu 2018).
      • => body electric 3.1 (Oahu Fringe 2019).
    • => Candy Acid (2010–2015). >
      • => on SoundCloud.
      • => on Susu Ultrarock Records.
    • w/ Ted Apel & breccia (2006– ) >
      • => Black Friday 2015.

Michel Foucault's 'Minor Perverts
Whom 19th Century Psychiatrists Entomologized'

Included in the 2008 Booker's Dozen traveling exhibition (curated by Idaho Center for the Book), this modified accordion-fold book is constructed of brown parcel wrap and contains hand-made picture postcards that narrate a failed romance. The cross-cultural, same-sex relationship described by the narrator is juxtaposed with snapshots of locales in Japan, all of which are empty of people. The subjective experience documented in the postcards is further juxtaposed with objective (and now archaic) sexological terminology taken from Foucault's History of Sexuality, Volume I. Through these juxtapositions, the book deals with themes of disjuncture & disorientation, blending autobiography with other genres, while exploring the cultural and sociopolitical discourses that structure intimate, individual experience.
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