Gretchen Jude.
  • new.
  • info.
    • bio.
    • vitae. >
      • teaching.
    • portfolio.
  • music.
    • free improv. >
      • => at Permian in Tokyo (2019).
      • => at Ftarri in Tokyo (2017).
      • => at Bar Ishee in Tokyo (2017).
      • => at Yugue in Kyoto (2016).
      • => at Doors That Only Open in Silence, Oakland (2015).
      • => solo at Garden of Memory, Oakland (2014).
      • => w/ Gestaltish in Oakland (2013).
    • solo soundscapes. >
      • => 'Music for Going Nowhere' (2020).
      • => The Hights (2016~2020).
      • => Yoshiwara Soundwalk (2016).
      • => Summer in Snow Country (2014).
      • => Finding as Making // Singing No Songs (2014).
      • => Triptych (2013).
      • => 'Songspaces' (2013).
    • electrovocal. >
      • => 'Mirror Morrow' (2020).
      • => w/ Akaihirume (2019).
      • => w/ Rich Rath (2018).
      • => 'touching barad' (2015).
      • => 'Passager' at RE:Sound (2015).
      • => solo at Berkeley Arts (2014).
      • => Gestaltish at the Luggage Store (2014).
    • for dance. >
      • => Nina Haft's Precarious Pod (2019).
      • => Peiling Kao's Integral Bodies (2019).
      • Christy Funsch's MSDM (2018). >
        • => audio.
        • => video.
      • => Nina Haft's King Tide (2015).
      • => Des-Echoes (2015).
      • => Fox Mirror Forest (2015).
      • => Skywatchers (2012).
    • for film. >
      • Midnight Traveler (2019). >
        • => on sound-making in Hassan Fazili's Midnight Traveler (2019).
      • => Karen Day's Bamboo and Barbed Wire (2019).
      • => Em Mahdavian's Intangible Body (2016).
  • objects.
    • sound art. >
      • => in Orion Magazine (2019).
      • => in Out of Stock (2017).
    • artist books. >
      • => Sonic Meditation for Immersive Ecological Entanglement (2018).
      • 「古」
      • "Paris Arthaud" & "ou ou".
      • "an e and a me".
      • "Michel Foucault's 'Minor Perverts...'"
    • handbuilt instruments. >
      • => photo-koto at NIME13, Seoul (2013).
      • => photo-koto on Maddow (2010).
    • instructional scores. >
      • For Voices in Distant Landscapes (2021).
      • 10'15"x (2017).
      • I Clean the Stage (2009). >
        • => video.
      • News Piece (2006).
    • visual scores. >
      • Song Cycle for Symbionts (2020).
      • postcard musics. >
        • Canessa Gallery (2015).
      • Paris Blancheur (2011).
      • => Tree_Score (2010).
  • albums.
    • => 'Music for Going Nowhere' (2020).
    • => 'hirakito' (2019). >
      • => w/ Kevin Corcoran.
    • => glou glou. >
      • => w/ Arjun Mendiratta.
      • => 'hymn her hum' (2014).
      • => 'fey flight founders' (2016).
    • => Eat The Sun: 'The Djerassi Sessions' (2013). >
      • => July 2013.
      • => October 2013.
      • => March 2014.
      • => April 2014.
      • => November 2015.
      • => March 2018.
    • => 'Songspaces' (2013).
  • others.
    • => JūDai (2019–2020). >
      • => live & distant on People, Places, Things (2020).
    • => electroViolet (2016–2019). >
      • => body electric 1.3 (Berlin 2017).
      • => body electric 2.0 (Honolulu 2018).
      • => body electric 3.1 (Oahu Fringe 2019).
    • => Candy Acid (2010–2015). >
      • => on SoundCloud.
      • => on Susu Ultrarock Records.
    • => w/ Ted Apel (2006– ). >
      • => Black Friday 2015.

"...Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence towards the people,... go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, reexamine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body."
                                                                                                                                                                 –Walt Whitman

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poetic redaction and other
tactics of textual intervention





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from "Outline of Science Part I (1929)"
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